You Begin
You begin this way:
this is your hand,
this is your eye,
this is a fish, blue and flat
on the paper, almost
the shape of an eye
This is your mouth, this is an O
or a moon, whichever
you like. This is yellow.
Outside the window
is the rain, green
because it is summer, and beyond that
the trees and then the world,
which is round and has only
the colors of these nine crayons.
This is the world, which is fuller
and more difficult to learn than I have said.
You are right to smudge it that way
with the red and then
the orange: the world burns.
Once you have learned these words
you will learn that there are more
words than you can ever learn.
The word hand floats above your hand
like a small cloud over a lake.
The word hand anchors
your hand to this table
your hand is a warm stone
I hold between two words.
This is your hand, these are my hands, this is the world,
which is round but not flat and has more colors
than we can see.
It begins, it has an end,
this is what you will
come back to, this is your hand.
Margaret Atwood 1978
You begin this way:
this is your hand,
this is your eye,
this is a fish, blue and flat
on the paper, almost
the shape of an eye
This is your mouth, this is an O
or a moon, whichever
you like. This is yellow.
Outside the window
is the rain, green
because it is summer, and beyond that
the trees and then the world,
which is round and has only
the colors of these nine crayons.
This is the world, which is fuller
and more difficult to learn than I have said.
You are right to smudge it that way
with the red and then
the orange: the world burns.
Once you have learned these words
you will learn that there are more
words than you can ever learn.
The word hand floats above your hand
like a small cloud over a lake.
The word hand anchors
your hand to this table
your hand is a warm stone
I hold between two words.
This is your hand, these are my hands, this is the world,
which is round but not flat and has more colors
than we can see.
It begins, it has an end,
this is what you will
come back to, this is your hand.
Margaret Atwood 1978
I have been working on acceptance. Working so hard to notice, observe and
accept.
The acceptance I am working on comes without judgment. Things don't have to be good or bad or sad or
wrong or desperate or horrible or content or joyful or happy or brave. They just have to be and I just have to be willing to see it
that way. Without expecting
anything.
At Bank Street I was trained to observe
and record what students do in the classroom and as a progressive educator I
have embraced descriptive review, a process of observing a student or a piece
of work and describing it without judgment.
To name and observe and describe with words that sometimes seem cold and
removed from the subject. To say, “There
is a thick blue band of color along the top part of the page.” Not to say, “The
child painted a blue sky.”
To observe and describe without judgment
means to look and see without allowing preconceived notions, assumptions or
conclusions to get in the way of seeing what is actually there. It is incredibly powerful and has helped me
identify hidden strengths in my students and to understand them and their work
more deeply than I ever would if I immediately looked for the problems or
answers or understanding. I eventually
get there, but first I observe and describe.
Since February, I have done a lot of
observing and describing of my own life.
I was on the other side of the anniversary of Magnolia’s death and I
felt different. I was sad, but my
sadness felt so hollow suddenly. A year
past Magnolia’s last hug, last kiss, last “goo nigh!”, last blown kisses, last
smile, last laugh, last book read, last everything. I felt so hollow. It all felt so far away and passing the year
mark felt awful. It was a confirmation
that we were very far away from her, and that the distance would continue to
grow forever.
I was pregnant, but finally feeling
better physically after feeling so horrible for the first 5 months. I had gone to bed in September and only
emerged to walk Delphinium to school or to pick her up. I stayed cocooned under the covers, close to
the toilet for 5 long months of emotional and physical misery. Not really wanting the baby that was growing
inside of me and making me feel so sick; missing the little girl I really
wanted and feeling guilty about it all.
In February I slowly emerged from my
cocoon. I went to the grocery
store. I went to see my therapist,
instead of talking on the phone. I
joined Sasha and Delphinium on some weekend adventures in the city. We planned a trip to Guatemala for some
aggressive family fun. I felt like an
ugly, limp, sad butterfly slowly testing my soggy wings. It felt bad.
I hated leaving the house and didn’t really want to see anyone or do
anything. My cocoon was safe, the
self-pity and sadness was so comforting.
I was leaving the dark and heading toward the bright light of day and I
felt really overwhelmed. Being in the
world was hard.
Our family trip to Guatemala
helped. We were out and about every day,
but it didn’t feel like my life. The
sights were beautiful and the places were interesting and we had so much to
talk about and appreciate. We laughed a
lot and really enjoyed being together.
It was a brighter and warmer cocoon, away from our world and social
obligations and responsibility.
On the final plane ride home to NYC
from Houston, I was watching a movie with Delphinium. When it ended she asked if we had time to
watch something else. I said maybe a
short video. She picked the video of
Magnolia clips that we played at her memorial services. We watched together for about a minute and
then Delphinium started wailing. I
turned the ipad off and held her while she cried. She looked at me and Sasha and said, “We’re
never going to see her again.” I was
crying and Sasha was crying and Delphinium was crying so hard. It was a hard smack in the face reminder that
we were returning to our “real” life where I just wanted to hide under the
covers because our daughter was dead and everything felt really hard. It was a harsh crash landing back into our
life.
I was dreading the coming months:
·
March would bring Delphinium and
Magnolia’s birthdays on the first day of spring. I loved that both of our daughters were born
on the same day and I really loved NYC in the spring, but that day just sucks
now and I was dreading it.
·
Then April would arrive, the weather
would turn and the sky would be blue and sunny and flowers would pop up
everywhere. The magnolia trees would
bloom brilliantly and that would feel really awful.
·
I was already hating May. We were having this baby sometime then,
whether I wanted to or not and I just didn’t want to deal with it.
I decided that something needed to
change. I couldn’t really avoid all of
the dread, sadness, guilt and apprehension, but I was hoping to find a way to
feel less overwhelmed by it. To have
more control over my feelings and the way I was experiencing my life.
I remembered this poem, “This is your
hand,/This is your eye,/This is a fish” When I went looking for the poem, I was
surprised to see that it was titled You
Begin. It seemed so simple, the process of beginning to know the
world. Again. So I began describing the world in my head.
I would walk out the door in the
morning and in my head I would begin listing my observations, “The sky is blue,
the air is warmer than yesterday, there is a crocus sprouting in the yard,
Delphinium is skipping, I’m feeling hot in my coat…” I was careful not to wander beyond the
description—not to wonder what I thought about those things. It didn’t matter. The point was to notice and describe WITHOUT
reacting. On most days, the descriptions
managed to take up the space that was usually filled with overwhelming
emotional response.
After weeks of describing my walk
through the world, I realized that my relationship to everything around me was
changing. It all felt less
threatening. I saw my first magnolia
tree in full bloom and noticed the open blossoms and the pale pink and the
contrast of dark branch and bright bloom.
And then I thought that it was beautiful. I felt my sadness too, but I could accept
that it was beautiful, without being angry or overwhelmed by it.
My descriptions of the world around me
slowly morphed into acceptance. I would
smell the wet pavement after a soaking rain and notice how familiar the smell
was and how it reminded me of other spring rains and that it smelled good to me. I accepted all of that and moved on. I didn’t have to love it like I used to, take
great joy in the smell or gnash my teeth in anger. It was enough to notice it and accept what it
was.
Writing this, it seems like such a
small thing to spend so many words on, but it has really changed me. It has been so hard to really accept that the
world is moving forward without Magnolia.
I don’t have to love it, but I also don’t have to hate it all the
time. And when I do hate it, when I look
at a small child playing in the sprinklers and wish so badly that Magnolia was
here to play in the sprinklers, I notice that feeling and accept it. It sucks.
I still feel hollow a lot of time—like
this is a temporary personality adjustment that isn’t as substantial as my real
self. I am hopeful that eventually I
will find some balance between acceptance and enjoyment without being
overwhelmed by sadness, doubt and guilt.
But I am grateful that all of this
describing and accepting prepared me to welcome Azalea into our life. It has
also allowed me to parent her with tenderness and love. I am not the same mother I was when I held
Magnolia in her sleepy newborn days, but I am present for Azalea in a way that
I worried I wouldn’t be.
I spend a lot of time watching her and
describing her and accepting what she needs from me. And I still feel the ache for the girl I wish
was here instead, but it doesn’t drown me like it used to. I notice the way I nuzzle Azalea’s neck, and
the way she giggles each time. I
describe the feeling of her short, silky hairs as I rub my cheek against her
head. I observe her smile, the way her
eyes crinkle at the corners and her tongue pokes out of her mouth.
I observe these things, notice all of
this and then I can accept that I love her.
There are no words good enough to encapsulate what your writing inspires and touches. But I just wanted to leave a note of thanks, for putting forth your exquisite sadness and truth and inviting us in, as you continue to evolve forth and transform and create. Much love you K. Maria-Stella
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